Mobeus

I entered Rakalam Bob Moses' studio with only a vague sense of the unique world that I would step into. Few drummers possess the diverse background, vocabulary, and history of Rakalam. As faculty colleagues at the New England Conservatory we have worked together on numerous projects and performances. At NEC jazz drumming and deep-pocket groove are essential elements to our playing and teaching style. However, while unloading my array of world percussion into the legendary drummers' home, I knew that my traditional African and Indian training would be reconceived and reborn.

Prior to each "take" there were no discussions about what we should strive for, no boundaries that would confine total freedom. We maintained open and unselfish minds, flowing in the moment and committing to whatever we played. Musical tension and resolution were refueling energy, stamina and focus. Three days of inspiration resulted in thirteen hours of "sonic sculptures" and during epic takes neither of us dared stop the profound channeling taking place.

What resulted is unique environmental soul music for all cultures and beings. Sounds and rhythms weave inside native folkloric music, hinting at familiar categories before dividing into different forms of energy and spirit. It is at once powerful and strong, and yet it creates a non-threatening, relaxed listening space. The absence of preconceived structure ensures that the music will always sound fresh, and provide renewed anticipation and surprise along the way.